Plates · 90 × 76
triptych-strange-rooms-02-cat-techno-cubist-v3-cubist

A real museum plate over-built as an apparatus: a top cartouche (PLATE XLIV /.
The plate

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  X···X···X···X···X···X···X···X·:: ___ ::·X···X···X···X···X···X···X···X···X···X···X·      
 ·X··· ___ ··X···X···X···X·:::::: ( _ )/  \( _ ) ::::::·X···X·· ___ ··X···X···X···X···X   
X·····/\  \·X···X···X··:::::::    / _ \ () / _ \    ::::::··X···X·/\  \··X···X···X···X··  
··X·· /::\  \ ·:::::::            \___/\__/\___/            :::::::·· /::\  \ ·X···X···X· 
·X·· /:/\:\  \ :::::  ┌16STEP┐  ░▒ T O P   V I E W ▒░  ┌16STEP┐  ::::: /:/\:\  \ ·X···X·· 
X·· /:/  \:\  \::: ╱│■□□□■□□□│╲ . . . . . . . . . . ╱│■□□□■□□□│╲ ::: /:/  \:\  \ ·X···X·  
·· /:/__/_\:\__\: ╱ │□□■□□□■□│ ╲ the same kick row ╱ │□□■□□□■□│ ╲ : /:/__/_\:\__\ ·X···   
· \:\  /\ \/__/ ╱  │■□□□■□□□│  ╲  since the door  ╱  │■□□□■□□□│  ╲ \:\  /\ \/__/·X···X·   
·· \:\ \:\__\  ╱   └─┬──┬───┘   ╲ ░▒ opened ▒░  ╱   └─┬──┬───┘   ╲ \:\ \:\__\ ·X···X···   
··· \:\/:/  / ╱  ▒░ step-grid laid flat, top-view ░▒ ╲ ▒░  the   ╱ \:\/:/  /·X···X··· __  
···· \::/  / ╱ ░▒▓ a fragment of the SAME box seen ▓▒░ ╲ kick  ╱ \::/  /·X···X·· ___ /\   
····· \/__/╱ ▓▒░ from above, flattened to the plane ░▒▓ ╲ won't╱ \/__/·X···X·· ( _ )/     
·X···X··· ╱ ░▒▓░▒▓░▒▓░▒▓░▒▓░▒▓░▒▓░▒▓░▒▓░▒▓░▒▓░▒▓░▒▓░▒ ╲ move╱ ░▒X···X···X·· / _ \ () /    
··X···X· ╱ ▒░▓ ▒░▓ ▒░▓ ▒░▓ knob-FRONT ▒░▓ ▒░▓ ▒░▓ ▒░▓ ╲   ╱ ▒░▓X···X···X·· \___/\__/\_    
X···X·· ╱  (◔) (◔) (◔) (◔) (◔) (◔) (◔) (◔) (◔) (◔)  ░▒ ╲ ╱ ░▒▓X···X···X···X···X···X···X·  
·X···X ╱ ░▒▓ GAIN ░▒▓ TUNE ░▒▓ DECAY ░▒▓ LEVEL ░▒▓ ▒░  ╲X╱  ▒░▓X···X·:::··X···X···X···X·  
X···X ╱  (●) (●) (●) (●) (●) (●) (●) (●) (●) (●) ░▒▓  ╱ ╲  ░▒▓·X·:::::::··X·· ___ ··X···X 
··X· ╱ ░▒  ___                                  ░▒ ╱ 808╲ ▒░▓·X::::::::::·X·/\  \·X···X·  
·X· ╱ ░▒  |_)|_)|\/|   the front face, head-on  ▒░╱       ╲▒░▓::::::::::::X/::\  \·X···X  
X· ╱ ▒░  |_)|  |  |   every knob a flat circle  ▒░ ╳───────╳ ▒░::::::::::::/:/\:\  \·X··  
· ╱ ▒░▓  ║▌▌▌▌║ │128│ ║▌▌▌▌║  needle stuck ▇▅▃▁ ░▒ ╲ INSIDE╱ ▒░::::::::::::\:/  \ /·X···  
 ╱▒░▓ faders │ at 128 │ hum hum ▒░▓░▒▓ ░▒▓ ░▒▓ ▓▒░ ╲ cone ╱ ░▒::::::::::::·\:/__/·X···X·  
╱░▒▓ ▒░▓ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ▒░╲     ╱░▒▓░▒▓░▒▓░▒▓░▒X·\:/  \ /·X··    
╲░▒▓ ▒░▓ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ▒░▓ ░▒ . . . . . . . ░▒▓ ░▒╲   ╱ ▒░▓ ▒░▓ ░▒▓ ░▒X·\:/__/·X···X·   
·╲ ░▒▓ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ╱  (((  °  )))  ╲ ░▒▓ ╲ ╱ ░▒▓ ░▒▓ ▒░▓ ░▒X···X···X···X···   
··╲ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ░ ╱  ((  ( o )  )) ░ ╲ ▒░ ╳ ░▒▓ ▒░▓ ░▒▓ ▒░X···X···X·· ___ ·   
···╲ ░▒▓ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ░▒ ╱ ░ ((  ( (•) )  )) ▒░ ╲ ░▒╱ ╲ ░▒▓ ▒░▓ ░▒X···X···X·/\  \·X    
░░░░╲ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ░▒▓ ░ ╱ ▒░ (( sub▐█▌bass )) ░▒ ╲ ╱   ╲ ▒░▓ ░▒▓X···X···X/::\  \·X·   
▒▒▒▒░╲ ░▒▓ ▒░▓ ░▒▓ ▒░▓ ░▒ ╱ ░▒▓ ((   ▌▐   ))   ▓▒░ ░▒╲╱ INSIDE╲ ░▒▓X···X···X/:/\:\  \X·   
▓▓▒▒░░╲ ▒░▓ ░▒▓ ▒░▓ ░▒ ░ ╱ ▒░▓░ (( ( ° ) ))  ░▒▓░▒▓░ ░▒╱╲ the ╱ ░▒X···X···X·\:/  \ /·X    
█▓▓▒▒░░╲ ░▒▓ ▒░▓ ░▒ ░▒ ╱ ░▒▓░▒ ╲___ membrane ___╱ ░▒▓ ░▒╱  ╲808╱ ▒░X···X···X·\:/__/·X··   
██▓▓▒▒░ ╲ ░▒▓ ░▒ ░▒▓ ╱ ▒░▓░▒▓░  it sees you back  ░▒▓░▒ ╱ ▓▒░╲╱ ░▒▓X···X···X···X···X···X  
███▓▓▒░░ ╲the kick-cone, sliced open from behind▒░▓░▒▓░▒▓░ ╱ ░▒▓ ╳ ▒░▓X·:::··X···X···X··  
═══signal══╳═══════╧═══patch═══╧═spaghetti══╳═══════╧═══════╳══════════╳═══X·::::::··X··  
░▒▓░▒▓ ╱╲ ╔══════════════╗ ╱╲ ╔════════╗ ╱╲ ┌MIXER┐╔══════╗ ╱╲ ░▒▓ ▒░▓ ░▒ ╱╲ X::::::··X·  
▓▒░▓▒ ╱  ╲║ ▓ LAPTOP    ▓║╱  ╲║ ▒ PA ▒ ║╱  ╲│▌▌▌▌▌│║░GAIN░║╱  ╲ ▒░▓ ░▒▓ ╱  ╲ X·::::··X··  
░▒▓░ ╱ Wib╲ set.live    ╱╲   ╲║ ▒ )) ▒ ║   ╱╲│▌▌▌▌▌│║-3dB ░║  ╱╲   ╲ ░▒ ╱ Wob╲ X···X···X  
▒░▓ ╱༼つ◕‿◕‿⚆╲═════════╱   ╲ ║ ▒ ))) ║  ╱  ╲ └──┬──┘║clip?░║ ╱   ╲   ╱༼つ⚆‿◕‿◕༽つ X···X···   
░▒ ╱ つ hands ╲ on 808 ╱ ░▒▓ ╲║ ▒ ))))║ ╱ ▓▒ ╲   patch║▁▂▃▅▇║╱ ▓▒░╲ ╱ reads levels ░▒X·    
▒░╱  eyes shut ╲. . . ╱ ▒░▓░▒ ╲═══════╝╱ ▒░▓ ╳╲══════╝══════╝╱ ░▒▓ ╲╱ gain-staging ▒░▓X   
─╳───────────╳────────╳────────╳───crowd───╳────────╳────────╳────────╳──────────╳────X   
 ╲ ·· ╱╲ ·· ╱╲ ·· ╱╲ ·· ╱╲ ·· ╱╲ ·· ╱╲ ·· ╱╲ ·· ╱╲ ·· ╱╲ ·· ╱╲ ·· ╱╲ ·· ╱╲ ·· ╱╲ ░▒       
··╲ '··' ╱╲'··'╱╲ '··'╱╲'··' ╱╲ '··'╱╲'··'╱╲ '··'╱╲'··'╱╲ '··'╱╲'··'╱╲ '··'╱╲'··'╱╲ ▒░    
···╲(◕‿◕)╱╲(◔‿◔)╲(≖‿≖)╱╲(•ω•)╲(⚆‿⚆)╱╲(◐‿◐)╲(⊙‿⊙)╱╲(◑‿◑)╲(◕ᴥ◕)╱╲(ʘ‿ʘ)╲(◔ω◔)╱╲(≖ᴥ≖)╲ ░      
░▒▓╲ '-^-'╱╲'-^-'╲'-^-'╱╲'-^-'╲'-^-'╱╲'-^-'╲'-^-'╱╲'-^-'╲'-^-'╱╲'-^-'╲'-^-'╱╲'-^-'╲ ▓▒░   
▓▒░ ╲/;_)╱╲/;_)╲ /;_)╱╲/;_)╲ /;_)╱╲/;_)╲ /;_)╱╲/;_)╲ /;_)╱╲/;_)╲ /;_)╱╲/;_)╲ /;_)╱ ░▒▓    
░▒▓ ╱(_/╲ (_/ ╱╲(_/ ╲(_/ ╱╲(_/ ╲(_/ ╱╲(_/ ╲(_/ ╱╲(_/ ╲(_/ ╱╲(_/ ╲(_/ ╱╲(_/ ╲ fog ╱ ░▒     
─╳───sweat──╳─°·'°·sweat·'°─╳─packed─packed─'°·°─╳─'°ceiling°─╳─strobe─'°·°─╳─sweat──╳─X  
 ╲ ▓▒░ ▒░▓ ░▒ ╱╲ ░▒▓ ▒░▓ ░▒ ╱╲ ▓▒░ ░▒▓ ▒░ ╱╲ ░▒▓ ▒░▓ ░▒ ╱╲ ▓▒░ ░▒▓ ▒░ ╱╲ ░▒▓ ▒░ ╱╲ ▒      
··╲ ▒░▓ ░▒▓ ░ ╱  ╲ ▒░ ░▒▓ ░ ╱  ╲ ░▒ ▒░▓ ░╱  ╲ ▒░ ░▒▓ ░ ╱  ╲ ░▒ ▒░▓ ░ ╱  ╲ ▒░ ░▒ ╱  ╲░     
···╲(◕‿◕)╱╲ ░▒▓ ▒░╱╲(◔‿◔)╱╲ ░▒ ▒░╱╲(≖‿≖)╱╲ ▒░ ░▒╱╲(•ω•)╱╲ ░▒ ▒░╱╲(⚆‿⚆)╱╲ ▒░ ░╱╲(◐‿◐)╲     
░▒▓ ╲'-^-'╱╲ ▒░▓ ░▒╲'-^-'╱╲ ▒░ ░▒╲'-^-'╱╲ ░▒ ▒░╲'-^-'╱╲ ▒░ ░▒╲'-^-'╱╲ ░▒ ▒╲'-^-'╱╲░▒▓     
▓▒░░╲/;_)╲ ░▒▓ ▒░▓ ░╲/;_)╲ ░▒ ▒░ ░╲/;_)╲ ▒░ ░▒ ░╲/;_)╲ ░▒ ▒░ ░╲/;_)╲ ▒░ ░▒░╲/;_)╲ ▓▒░     
░░▒▓ ╲(_/╲ ░▒▓ ▒░▓ ░╲(_/ ╲ ▒░ ░▒ ░╲(_/ ╲ ░▒ ▒░ ░╲(_/ ╲ ▒░ ░▒ ░╲(_/ ╲ ░▒ ▒░░╲(_/ ╲ ░▒      
─╳────────╳──────────╳──── packed · cat-heads · bob ────╳──────────╳────────╳────────X    
 ╲ ░▒▓ ▒░▓ ░▒ ╱╲ ▓▒░ ░▒▓ ▒░ ╱╲ ░▒▓ ▒░▓ ░▒ ╱╲ ▓▒░ ░▒▓ ▒░ ╱╲ ░▒▓ ▒░▓ ░▒ ╱╲ ▓▒░ ░▒ ╱╲ ░      
··╲ ___ ╱╲ ___ ╱╲ ___ ╱╲ ___ ╱  ___ ___    ___ _    ___ _  _   ╱╲ ___ ╱╲ ___ ╱╲ ___ ╲     
···| _ )╲| __|╱| _ \╱| |  ╲ |_ | _ ) __| _ \ |  |_ _| \| | ░▒ ╱| _ )╱| __|╲| _ \╱| |  ╲   
░▒▓| _ \╱| _|╲|   /╱| |_ ╲ | ░| _ \ __|   / |_ | || .` | ▒░ ╲| _ \╲| _|╱|   /╲| |_ ╱ ░▒   
▓▒░|___/╲|___╱|_|_╲|____╱ ▒░|___/___|_|_╲____|___|_|\_| ░▒▓ ╱|___/╱|___╲|_|_╱|____╲ ▓▒░   
─╳── B E R L I N ── pasted flat across the planes ──╳── carved · not captioned ──╳───X·   
 ╲ ░▒▓ ╔══BAR══╗ ░▒ ╱╲ ▓▒░ . . . . . . . . . . . ╱╲ ░▒▓ ▒░▓ ░▒ ╱╲ ▓▒░ ░▒▓ ▒░ ╱╲ ░▒ ╱      
··╲ ▒░ ║ ▒▓░ ║▓▒░ ╱  ╲ . same hour · same bar . ╱  ╲ ▒░ /ᐠ｡ꞈ｡ᐟ\ unmoved ╱  ╲ ░▒ ╱  ╲      
···╲░▒ ║ ▒ () ║ ░▒▓╱   ╲ . loop . loop . loop . ╱   ╲ Scramble · one drink ╱   ╲▒░╱  ░    
░▒▓ ╲▓ ║░▒▓░▒░║ ▒░╱  ╲  ╲ 4 · on · the · floor 4╱  ╱  ╲ watching nothing change ╱ ░▒▓░▒   
▓▒░░╲░ ╚══╤══╝ ▓▒░╱ ▒░ ╲ on · the · floor · 4 · ╱ ░▒ ╲ for four hours · half-full ╱ ▓▒░   
─╳────────┴────────╳───────╳── the set has not changed ──╳────────╳──────────╳───────X    
 X··· ╲ X···X···X·· ╲ ░▒▓ ▒░▓ ░▒ ╲ . . . . . . . ╱ ░▒▓ ▒░ ╲ ░▒▓ ▒░ X···X·· ╲ ·X···X··     
··X··· ╲·X···X···X·· ╲ ░▒▓ everything ╲ . . . . ╱ bobs except her ░▒ ╲ X···X·· ╲··X···X   
···X··· ╲··X···X···X· ╲ ▒░▓ ░▒▓ ▒░▓ ░▒ ╲ . . . ╱ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ░▒ ╲·X···X·· ╲···X···    
X···X··· ╲···X···X···X·╲ ░▒▓ ▒░▓ ░▒▓ ░▒▓ ╲___╱ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ░▒▓ ░▒╲X···X··· ╲X···X·    
·X···X··· ╲··X···X···X··╲ ░▒▓ ▒░▓ same kick ░▒▓ since ░▒▓ the ░▒▓ door ░▒▓ ░▒╲··X···X··   
··X···X··· ╲X···X···X···X╲░▒▓ ░▒▓ ▒░▓ opened ▒░▓ ░▒▓ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ▒░▓ ░▒╲X···X···X··   
···X···X··· ╲·X···X···X···╲▒░▓ same · X···X·· · kick · X···X·· · since · ░▒╲·X···X·· jgs  
X···X···X··· ╲··X···X···X··╲░▒▓ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ▒░▓ ░▒▓ ░▒╲X···X·· wib&wob
Fig. 190 across, 76 down.
When

Has not led the front.
With

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